ENGL 602--Critical Theory (Spring 1999)
Dr. John Bird
Office: 236 Bancroft
Phone: 323-3679
e-mail: birdj@winthrop.edu
birdj@access1.net
http://www.birdnest.org/birdj
Office Hours: 2:00-3:30 TR
5:00-6:30 T
or by appointment
DESCRIPTION:
A study of critical theory, from classical texts to the present, with a special emphasis on the most important contemporary theoretical trends.
REQUIREMENTS:
keep up with all reading
attendance and participation
reading journal (15%)
final exam (20%)
three 3-4 pp. papers (10% each)
one 12-15 pp. critical essay (30%)
presentations (5%)
ATTENDANCE: Attendance in graduate seminars is crucial, especially since graduate students provide much of the content of the course. Except for emergencies, you should never miss any classes, but if you find that you must miss, please let me know, beforehand if possible.
TEXTS:
David H. Richter, The Critical Tradition (2nd ed.)
Lois Tyson, Critical Theory Today
SYLLABUS (students are responsible for any changes):
January |
|
T 19 |
Introduction (1); Classical: Plato, Republic, Book X (21), Ion (29); Aristotle, Poetics (42); Horace, The Art of Poetry (68); Longinus, On the Sublime (81); Plotinus, On the Intellectual Beauty (110) |
T 26 |
British: Sidney (131-142 [" . . . dumb speaker"]); Dryden (160-162; 183 ["If they content . . . "]-185); Pope (206-207; Part I); Samuel Johnson (218-220; The Rambler, No. 4; from Preface to Shakespeare); Wordsworth (300); Coleridge (315); Arnold (394-396); "The Function of Criticism at the Present Time" |
February |
|
T 2 |
Philosophy: Hume, intro. only (239-242); Kant, from Critique of Judgment, First Book (257-269); Hegel, Introduction to the Philosophy of Art (361); Nietzsche, from The Birth of Tragedy from the Spirit of Music, I, V, XIX (419); Heidegger, Hölderlin and the Essence of Poetry (563); Sartre, Why Write? (624) |
T 9 |
Modernists: Marx, Consciousness Derived from Material Conditions from The German Ideology 388); Freud, Creative Writers and Daydreaming (483), The Theme of the Three Caskets (488); Eliot, Tradition and the Individual Talent (498); Jung, The Principal Archetypes (516); Bakhtin, from Discourse in the Novel (530); Woolf, Shakespeare's Sister from A Room of One's Own (551); Burke, Literature as Equipment for Living (593); Frye, The Archetypes of Literature (643) |
T 16 |
Formalisms (699): Shklovsky, Art as Technique (717); Empson, Epilogue to Seven Types of Ambiguity (736); Wimsatt and Beardsley, The Intentional Fallacy (749); Brooks, Irony as a Principle of Structure (758); Booth, Pluralism and Its Rivals (786); Phelan, Narrative as Rhetoric: Reading the Spells of Porter's "Magic" (796); Tyson: Everything You Wanted to Know About Critical Theory But Were Afraid to Ask (1); New Criticism (117) |
T 23 |
Structuralism, Semiotics, and Deconstruction (809): Saussure, Nature of the Linguistic Sign (832); Lévi-Strauss, The Structural Study of Myth (836); Culler, Literary Competence (854); Derrida, Structure, Sign, and Play in the Discourse of the Human Sciences (878); Barthes, From Work to Text (901); Tyson: Structuralist Criticism (197); Deconstructive Criticism (241) |
March |
|
T 2 |
Reader-Response Criticism (917): Iser, The Reading Process: A Phenomenological Approach (956); Holland, The Question: Who Reads What How? (969); Fetterley, Introduction to The Resisting Reader (991); Rabinowitz, from Before Reading (998); Tyson: Reader-Response Criticism (153) |
8-12 |
Spring Break |
T 16 |
Psychoanalytic Theory (1014): Bloom, A Meditation Upon Priority (1028); Brooks, Freud's Masterplot (1033); Lacan, The Agency of the Letter in the Unconscious or Reason since Freud (1045); Gallop, from Reading Lacan (1065); Tyson: Psychoanalytic Criticism (13) |
T 23 |
Marxist Criticism (1087): Adorno, from Minima Moralia (1123); Lukács, The Ideology of Modernism (1127); Williams, from Marxism and Literature (1154); Jameson, from The Political Unconscious (1172); Tyson: Marxist Criticism (49) |
T 30 |
New Historicism and Cultural Studies (1204): Foucault, Las Meninas (1222); Said, from the introduction to Orientalism (1279); Greenblatt, introduction to The Power of Forms in the English Renaissance (1293), King Lear and Harsnett's "Devil-Fiction" (1295); Armstrong, Some Call It Fiction: On the Politics of Domesticity (1317); Tyson: New Historical and Cultural Criticism (277) |
April |
|
T 6 |
Feminist Literary Criticism (1345): Gilbert and Gubar, from Infection in the Sentence: The Woman Writer and the Anxiety of Authorship (1361); Showalter, Toward a Feminist Poetics (1375); Kolodny, Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of Feminist Literary Criticism (1387); Smith, Toward a Black Feminist Criticism (1411); McDowell, New Directions for Black Feminist Criticism (1422); Tyson: Feminist Criticism (81) (short paper due) |
T 13 |
Gender Studies and Queer Theory (1431-1444): Laura Mulvey, Visual Pleasure and Narrative Cinema (1445); Hélène Cixous, The Laugh of the Medusa (1454); Luce Irigaray, This Sex Which Is Not One (1467); Michel Foucault, From The History of Sexuality (1472); Eve Kosofsky Sedwick, From The Epistemology of the Closet (1482); Tyson: Lesbian, Gay, and Queer Criticism (317) |
T 20 |
Multiculturalism and the Canon Wars: The Politics of Literature (1526): Baym, Melodramas of Beset Manhood: How Theories of American Fiction Exclude Women Authors (1540); Smith, Contingencies of Value (1552); Gates, Writing,"Race," and the Difference It Makes (1576); John Guillory, From Cultural Capital: The Problem of Literary Canon Formation (1589); Tyson: Postcolonial and African American Criticism (focus on African American: 363-364, 380-401, 417-420) |
T 27 |
Tyson: Gaining an Overview (423); Critical Symposium (revised long critical paper due) |
W 28 |
Study Day |
TBA |
Final Exam |